Clipse open Let God Sort Em Out with “The Birds Don’t Sing,” a piano-led hymn to loss that pairs two of rap’s most exact writers with John Legend and Hampton Roads choir Voices of Fire.

Taylor Swift’s “The Fate of Ophelia” lyrics meaning and review: 3:46 Max-Martin pop opener with a self-directed showgirl video.

Bryson Tiller’s “Autumn Drive” drifts through memory and moving on, a 2:08 low-glow cut with passenger-seat visuals.

A clear, independent review of Doja Cat’s Vie with full tracklist, song notes, verified credits, and release context.

The video frames that mood with clean, fetishised imagery rather than plot. Directed by AboveGround and starring pole artist Rotten Babe, it moves between motel pinks, chrome blues, and the glow of a ...

It lands a fortnight before the sophomore album Smoochies and plants the flag for its mood: fast, filthy, and funny. The track was released on 3 October, with the album scheduled for 17 October via ...

Los Angeles–based singer-songwriter Mitchell Zia delivers his boldest artistic statement yet with “nicotine” (released ...

Morgan Wallen’s “I Got Better” finds clarity after a breakup-plain images, tight hook, and a healing walk onscreen.

The former One Direction Louis Tomlinson’s “Lemonade” lands like a window swung open. You hear bright keys, a light funk skip ...

SAPPHIRE’s “The Last Thing”: review and lyrics meaning—warm guitar, Juliet nods, and a chorus that chooses love.

NorthsideBenji’s “Chasing a High”: review and lyrics meaning, Sep 18 release, Ashton Chisholm production, album due Sep 19.

Springsteen’s “Atlantic City”: debt, love and risk reborn in 2025 with the film and the Electric Nebraska release.