Yannick Nézet-Séguin presents the composer's "Tragic" Symphony without an ounce of fat on the bone, a relentless and ...

Daniele Rustioni leads the Pittsburgh Symphony in music inspired by Ancient Greece, flanking Kirill Gerstein’s take on Tchaikovsky’s First Piano Concerto that restores the composer’s original ...

Musicologist Alexandre Dratwicki talks about Palazetto Bru Zane’s cycle of Georges Bizet performances, of rare works and historical stagings, continuing throughout this year across Europe and Asia.

Gareth Davies, Principal Flute of the London Symphony Orchestra, talks about the furious scramble to keep up with Colin Davis performing Berlioz’s great hallucinatory symphony.

Daniil Trifonov takes New Zealand by storm with a performance of Rachmaninov's Third Piano Concerto of technical command and ...

The new chief executive of the Stockholm concert hall talks about her own distinctive approach to shepherding a major ...

Maurice Ravel's Daphnis et Chloé and a prelude from Dame Ethel Smyth's opera The Wreckers are heard for the first time in ...

The Royal Liverpool Philharmonic Choir star in Janáček’s Glagolitic Mass after an ideal Pastoral Symphony from the RLPO and ...

The Hallé’s Principal Conductor, Kahchun Wong, dances his way through an authoritative account of Shostakovich’s Fifth ...

Stepping in at a couple of weeks’ notice for an indisposed Mark Wigglesworth, Israeli-American conductor Yoel Gamzou sought ...

Sakari Oramo continues to champion rare English repertoire, conducting Doreen Carwithen and Malcolm Arnold at the Barbican.

At The Joyce Theater, where founder Arthur Mitchell became a star, Dance Theatre of Harlem delivered a diverse program of ...