From Coen Brothers movies to TV’s Justified, the best neo-noirs run on one constant — that guy. You know the type. A reluctant hero with a code, a shoddy car that smells like old coffee, and a face ...
Sterlin Harjo’s scrappy noir follow-up to “Reservation Dogs” has the same deep sense of place but a lot more beat-downs. By James Poniewozik James Poniewozik is the chief television critic for The New ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results
Feedback