I’m a sucker for scarecrow films, but even I can admit that there aren’t many worth crowing about. Outside of the consensus “best” within the crop, Dark Night of the Scarecrow (1981), the sub-genre ...
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Liam Gaughan is a film and TV writer at Collider. He has been writing film reviews and news coverage for ten years. Between relentlessly adding new titles to his watchlist and attending as many ...
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