Paris Barclay's documentary explores a maverick who had hit singles, was secretly gay, and wasn't as big a 1970s star as he should have been. The sound of a holy organ rang out, and the camera zoomed ...
Like a lot of people, I first saw Billy Preston in “Let It Be,” where his luscious electric-keyboard noodlings provided the sweet center to songs like “Don’t Let Me Down” and “Get Back.” But it wasn’t ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results